Small squarish pouch

This is a small, outside-stitched pouch made from 3/4 oz cowhide.  The inside is lined with a homespun fabric.  It has a horn button, an iron buckle on the strap and inside there is a small divided pocket.  The overall size of the pouch is 6" wide by 5.75" tall.

Game Bag #2

This is a simple game bag for my personal use.  The size is 8.5" tall by 10.5" wide.  The back panel, flap, and all edge bindings are made of a lightweight pigskin. The inside front panel is a hemp fabric, and the netted front game holder is hemp.  The flap is decorated with a pair of rosettes and a folk art moon.  The wide strap was woven from woolen yarn and has no provision for adjustment.

Ticking Pouch

This front of this pouch is made of pillow ticking and the flap, back panel, and welt are made of a lightweight pigskin.  The inside of the pouch and flap is lined with homespun and linen.  Hanging on the inside is a small homespun pocket. The strap was made by Kris Polizzi (https://www.facebook.com/pages/Kris-Polizzi-Custom-Weaving/206619746042859.  The antique buttons for adjusting the strap and opening the flap are made of bone. The entire bag was treated with a mixture of beeswax and linseed oil, making the fabric a waterproof tin-cloth.

Game Bag

This is my first attempt at a game bag. The body is made of cowhide, and the bindings and rolled welts are a lightweight pigskin.  The strap is made from hemp and has a brass buckle.  The overall size is 12" wide by 11" tall.  There is a large pocket on the inside back of the bag.  The netted front is made of hemp.  There are two pairs of removable game hooks made from antler tines. 

James Ewing Powder Horn by Cory Jo Stewart

This horn was made by artist Cory Jo Stewart of Logap NC.  Cory Jo makes excellent folk art horns and he inscribed this simple horn with an old family story about James "Pocahontas James" Ewing, my ancestor, 9 generations ago.

 

 

Cory Jo's inscription reads: "If You Crave Horn And Rifle Fine But Take Not These For They Are Mine".  There is a folk art depiction of the encounter between James Ewing and the Outlaw Shockley.  Notice James' gun is going off and Shockley's is only flashing.  The story, as told in "James Ewing - Pioneer" by Nancy Hanks Ewing:

A story has come down through the ages regarding James and "Sarah" and their run-in with a pair of ruffians from a band known as the SHOCKLEY GANG. I conclude that the event happened at about this time in James' life (in the early 1750s) and therefore at this place.

          It seems that the Shockley Gang had been terrorizing the mountain settlers for some time - thieving, cattle rustling, etc., to the extent that a reward had been posted for any or all of them, "dead or alive".

          One day James had left the cabin without his prized flintlock, the best in that part of the country, it is said. During his absence, two men stopped at the cabin and asked "Sarah" for something to eat. Not knowing who they were, she obliged, of course, that being the hospitable custom of the day.

          But while they were eating, one of the men spotted James' rifle and decided he would like to have it for his own. "Sarah" protested, naturally, but had no way to enforce her protest, and the men went off with their "souvenir".

Let A.E. EWING tell it from there:

"When James returned to the cabin, he was told of what had happened. He at once suspected the men to be Shockley and one of his companions. James knew they were dangerous men, but his Scotch was up. He was ready to take a chance on his own life in the recovery of his much prized flintlock. He decided to pursue the robbers. He took his shot gun, loaded it with buckshot and started on his way.

"James had hunted "big game" before and knew every inch of the country for miles around. With hound-like precision he not only hit upon the trail, but followed it unerringly. Toward evening he came upon the bandits making camp for the night. They regarded themselves as safe from pursuit and were taking things easy. This is likely just what James depended upon when he set out alone on his hunt. He carefully re-primed his borrowed flintlock as he could not afford to have a "flash in the pan" in case he had to pull a trigger. He advanced so cautiously that his presence was unknown to the thieves until he boldly stepped up to them and demanded his rifle.

"Shockley's answer was to bring to his shoulder the very rifle he had just stolen. James was just as quick in bringing to shoulder his borrowed shotgun. Each was intent upon being the first to pull trigger. They pulled at the very same instant. Had both guns discharged, both men would have fallen dead. Fate was against Shockley. He had neglected to re-prime the stolen gun and it "flashed in the pan". He fell dead with a charge of buckshot in his breast. So close were they to each other that Shockley's neck cloth was burned by the fire from James's shotgun.

" But the fight was not yet ended. So suddenly had things taken place that Shockley's companion was not ready with his gun and James saw to it that he did not get hold of one by at once pouncing upon him. It was a hand-to-hand conflict. Down they went, each striving to get the better of the other. It was a bitter fight - first one on top, then the other. Finally James got his adversary fouled, brought his hunting knife into play upon the bandit's jugular, and that ended the fight. One mad Scotchman, prepared for the fray, had proved too much for two self-satisfied outlaws. James picked up his two flintlocks and returned to his cabin, calling it a day."

"In grandfather's version of the story it was said that James Ewing received a reward of several hundred dollars for putting an end to Shockley and his luckless companion. Years after grandfather's death, I related this story to Dr. Gilbert A. EWING, of Jackson, Ohio, a nephew of Grandfather Enoch. He had heard the same story from his father, George, but he had a different version of the "reward" part of the story. His version was that when it leaked out what James had accomplished, his friends urged him to claim the reward, but that he refused to do so, saying that he had all the reward he wanted in the recovery of his rifle and getting rid of two such "pesky varmints".

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Barktan pouch #2

This hunting pouch is made from bark tanned deer hide with a fringed pigskin welt.  It is lined with a green homespun fabric, has an interior pocket and a strap made by weaver Kris Polizzi.

 

 

 

 

Heart Shaped Pouch #2

This is my second attempt at a version of the gusseted, heart shaped pouch from Jim Webb's book.  It measures about 7.5" at its widest across the top by 7.5" high.  The strap, full-length gusset, and back with fold-over flap are cowhide, and the front, the fringed welt and a small interior pocket are pigskin.  The design on the flap is from a book of southern backcountry design.

 

This pouch was featured on the Contemporary Makers blog: http://contemporarymakers.blogspot.com/2013/11/hunting-pouch-by-eric-ewing.html

Small pigskin pouch

This pouch is made from lightweight pigskin and is 6" wide by 6.5" tall. The inside back is lined with a homespun fabric and there is a small hanging pocket of ticking. The strap is adjusted by a wooden button sewn onto the back of the bag.

Re-worked Ticking and Barktan Bag

After some thought I decided to rework this pouch: http://ewingscreekpouches.blogspot.com/2013/09/ticking-barktan-bag.html.
I added a thinner strap of cowhide with an iron buckle, and a small homespun fabric pocket hanging inside for caps, balls, etc. I also waterproofed the ticking with a mixture of beeswax and boiled linseed oil. This was donated as a prize for the 17th Annual Shandakan Primitive Biathlon.

 

 

Bag Axe Sheath

The inside of the cowhide sheath is lined with deerskin rawhide.  The strap is made from hemp. 

 

 

Large Beavertail Flap Pouch

This pouch was inspired by one in the book "The Kentucky Rifle Hunting Pouch" by Madison Grant.  The original shown in the book is listed as found in the valley of Virginia and dating 1835-40.  This is made from 3/4 oz vegetable tan cowhide, and has a strap made by weaver Kris Pollizzi, and has a homespun-style fabric lining the underside of the flap.  The main body of the pouch measures about 7.5" wide by 8.5" tall.